No. 300, May/June 2021

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Rachel Podger and Christopher Glynn record (Timothy Jones’) Mozart; appreciating the string music of Philip Glass; Toby Hughes’ mission to spotlight the double bass; the Chicago Sinfonietta serves as a model in the classical-music world’s quest for diversity; when teaching the cello, a little imagery goes a long way; special focus on contemporary instruments and bows; what it’s like to play Paganini’s “Il Cannone”; practicing scales in 10ths; pandemic tales from the road with Dirty Cello; get to know the Stroh; and much more.