No. 299, March/April 2021
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Hilary Hahn’s momentous creative momentum; Jessie Montgomery bridges genres and musical philosophies; Tessa Lark’s genre-spanning career; special focus on teen string players; one-piece vs. two-piece instrument backs; how professional chamber ensembles are coping with COVID; violist Nicholas Cords’ second solo release; how a teacher used lockdown to focus on professional development; finding the beauty in appoggiaturas; and much more.