{"product_id":"no-330-may-june-2026","title":"No. 330, May\/June 2026","description":"\u003cp class=\"MsoNormal\"\u003eIn our cover story this issue, cellist Nicolas Altstaedt talks about his influences and why he chose to center his new album \u003ci\u003eBlackbirds—Music of the 1960s\u003c\/i\u003e around a little-known concerto. “Coming across Grażyna Bacewicz’s Cello Concerto No. 2 was like meeting another mother tongue,” explains Altstaedt.\u003c\/p\u003e\n\u003cp\u003eElsewhere, you’ll find a special section focusing on string pioneers (Marie Soldat-Roeger, Eddie South, Panna Czinka, and Giovanni Bottesini), a master class in approaching Messiaen’s \u003ci\u003eQuatuor pour la fin du temps\u003c\/i\u003e, a new way to think about Pachelbel’s Cannon in D, and a glimpse into Stephen Upshaw’s instrument case (where you’ll find a 300-year-old Daniel Parker viola).\u003c\/p\u003e\n\u003cp\u003eAlso in this issue:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLondon’s historic Wigmore Hall celebrates 125 years\u003c\/li\u003e\n\u003cli\u003eComposers and players who are responding musically to the climate crisis\u003c\/li\u003e\n\u003cli\u003eA Met exhibition correlating instruments to the human body\u003c\/li\u003e\n\u003cli\u003eNewberry \u0026amp; Verch’s new heartfelt album\u003c\/li\u003e\n\u003cli\u003eWhat governs an orchestra’s relationship with its venue\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAnd more . . . \u003cbr\u003e\u003c\/p\u003e","brand":"Stringletter","offers":[{"title":"Magazine","offer_id":52814139851071,"sku":"May\/June 2026","price":9.99,"currency_code":"USD","in_stock":true},{"title":"PDF Digital","offer_id":52814139883839,"sku":"May\/June 2026 Digital","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0121\/7192\/files\/001_330_COVER.jpg?v=1776712050","url":"https:\/\/store.stringsmagazine.com\/products\/no-330-may-june-2026","provider":"Strings Magazine","version":"1.0","type":"link"}